Hola, la pedalera esta como nueva, es 100% análoga, usa tubos del tipo 12AX7, la compré nuevo en 250US el año 2007 en USA, es real thru bypass, no degrada la señal.
Si quieren pueden probarla sin compromiso, comuníquense conmigo. Incorpora (Caja, Manuales, y adaptador. Todo original).
Suerte.
PD: Acá van algunos referentes de la pedalera y sus especificaciones técnicas.
modelo Radial Tonebone Classic
"This is simply the finest American-style distortion pedal I've played". 
"This is one of the most versatile and best sounding pedals I've heard in a long time".
"For sheer versitility as well as quality distortion, the Tonebone Classic rates a Guitar One '1 Award' ".
"Name almost any player and their trademark drive tone is here". 
Specifications
Circuit type:
Hybrid tube / proprietary circuit
Tube type
12AX7 vacuum tube
Input impedance:
1meg Ohm at input jack
Output impendence:
10K Ohm
Drive gain
3-way switch:
Used in conjunction with the drive gain control. Drive switch selects the gain range of the overdrive circuit
ETC ... ver pagina del fabricante
GUITARIST magazine May 2004 - pg. 121)
'Boutique Valve Overdrives'
Tonebone receives the 'Guitarist Choice' award!
By Guitarist staff writers
"The
Tonebone Classic offers easily the most comprehensive palette of tones
of all units here" "..we heartily recommend the Classic on the basis
that it's by far the most versatile of all five pedals reviewed... name
almost any player and their trademark drive tone is locatable here;
rock tones are a given, but the strident 'Fendery' SRV lead tone? Oh yes."
GUITAR PLAYER magazine (March 2003 - pg. 98)
'Bench Tests - Tube Distortion Pedal Roundup'
Tonebone Classic receives 'Editor's Pick' award!
By Barry Cleveland
"This
is one of the most versatile and best sounding pedals I've heard in a
long time. It sounded great with every combination of guitar and amp,
and it's dynamic response, impressive chord definition, and extremely
quiet operation made it a joy to use."
|
VINTAGE GUITAR magazine (April 2004 - pg. 158)
'Bad to the (Tone) Bone -- Radial Engineering's Classic, Hot British and Switchbone'
By Bob Tekippe/Phil Feser/Ward Meeker
Classic?..."The
tonal variations this pedal produces is unbelievable." Hot
British?..."Wow! Talk about British Tone! We easily dialed in the
famous Cream-era Clapton sounds, to a tee.... If you want to capture
that 'British tone' you'll not find a better pedal!" Switchbone?..."We
were able to switch between amps with no ground loops or hum. We
tweaked the Drag control, and were pleased to hear it deliver as
promised... this could well be the best A / B pedal on the market."
The ToneQuest report (Feb 2004 - pg. 18)
'Les Tone Bone' Tonebone Classic and Hot British review
By the Editors
"Both
Tonebones are thoroughbred, well-built rock pedals that delkiver
authentic tube distortion and well designed, versatile controls for
shaping lows, mids and highs as well as distortion intensity, harmonic
feedback and sustain. if you klike to rock, we think you'll find a
permanent spot on your pedalboard or studio for these great tube
distortion pedals made in Canada."
Fuzz magazine (Scandinavia) Feb 2004 - pg. 33)
'Radial Tonebone'
By Mats Nermark
"...
What seems to be the hardest thing for a pedal generating lots of
distortion is to let the intrinsic qualities of the guitar shine
through. This is something both these Tonebones handle with excellence.
I tried with a good Stratocaster and then with a cheap Chinese Squier
Strat with cheap pickups. The Chinese Strat sounded considerably
cheaper. The good Strat on the other hand, sounded really expensive."
... without doubt, at the top end of the value for money scale. It
makes me very happy when pedals like these Tonebones come along with a
vast soundscape and I get enticed into growing as a guitarist."
GUITAR WORLD magazine (Oct 2003 - pg. 180)
'Rad to the Bone -- Radial Tonebone Classic and Hot British distortion pedals'
By Eric Kirkland
"Low
gain settings produced incredible blues drive and a warm tube grind
that was easily controlled with the guitar's volume. With the gain
increased, the top end set to bright and the filter tweaked for natural
treble, I was able to mimic Jimi Hendrix's untamed Monterey Pop
distortion. Dimming the drive, backing off the filter and dialing up
the level evoked the violin-like tones of Eric Johnson. This is simply
the finest American-style distortion pedal I've played."
|
|
|
|
Descripción
